Corps sans graphie brings together three exhibitions that explore the representation of the body and its relationship to space.
Laurent Goldring's Un homme qui dort shows repressed bodies, bodies such as we never see except in the paintings of a Bacon or a Picasso, to denounce normalized representations and their prescriptive power over our bodies.
Strange bodies too, but nonetheless poetic and political, as a manifestation of hybridity, disorientation, oppression and even madness in the exhibition of works from the collection, Corps insensés.
Last but not least, the bodies of visitors, invited by Alex Cecchetti to generate music by entering the installation MUSIC-HALL, inspired by a poem and resembling a gigantic Theremin.
curated by :
Sylvie Zavatta, Frac Director
Laurent Goldring's Un homme qui dort shows repressed bodies, bodies such as we never see except in the paintings of a Bacon or a Picasso, to denounce normalized representations and their prescriptive power over our bodies.
Strange bodies too, but nonetheless poetic and political, as a manifestation of hybridity, disorientation, oppression and even madness in the exhibition of works from the collection, Corps insensés.
Last but not least, the bodies of visitors, invited by Alex Cecchetti to generate music by entering the installation MUSIC-HALL, inspired by a poem and resembling a gigantic Theremin.
curated by :
Sylvie Zavatta, Frac Director
